Sunday, 19 May 2013

The Transients live at The Rising Sun, Slough May 18th

Kieren of The Transients - Photo by Steve Worrall
I saw The Transients play a great set of unusual covers, and a couple of promising originals thrown in for good measure, at the Rising Sun in Slough. The band are singer Kieren, guitarist DC, drummer Freezer and bassist Mark Leech, who used to play in the excellent 80's Psych band The Onlookers. The Transients choice of cover versions could have been the playlist to one of our Retrosonic Podcasts as they included Radio Birdman, The Kinks, Pere Ubu and more top tunes.

Mark, DC, Freezer & Kieren - The Transients by Steve Worrall
The Transients kick off with a cover of "Cast a Spell" by the Putney based 60's Psych band The Open Mind, it's a great track and it's catchy chorus "...it's all in the mind..." snares some casual drinkers into paying a bit more attention. They follow this with Subway Sect's classic "Ambition" and then Wimple Winch's Freakbeat gem "Save My Soul", with Mark nailing the superb bass intro and guitarist DC capturing the stinging guitar riff perfectly. The song builds to a crescendo with drummer Freezer flailing away and vocalist Kieren letting loose. "i-94", a rare one from Australia's Stooges, Radio Birdman, is a nice surprise choice and then they mellow the mood with The Kinks "See My Friends".

The Transients by Steve Worrall
There's nothing mellow about their great rip through Television's "See No Evil" though,  it motors along. Kieren straps on what looks like a vintage Vox guitar and joins DC in having an admirable stab at Tom Verlaine and Richard Lloyd's intricate guitar work. "Specs of Dust" is an original track and that and "Tube Ride Away" hint that The Transients could certainly move away from the covers in the future. The best of the originals however, is "The Hatfield Twins", which is about two early Punk King's Road faces who were apparently responsible for the "never mind the bollocks" catchphrase. It's an excellent Garage Rock track. I hope the band can get into a recording studio soon and get some of these songs released. Jonathan Richman and the Modern Lovers "She Cracked" is followed by a rather obscure choice of Small Faces track, "Up The Wooden Hills To Bedfordshire", and the set finishes with a raucous "Non Alignment Pact" and a great mash-up of The Vibrators "Whips and Furs" and The Only Ones "Another Girl Another Planet". It was a great fun night out and I recommend going along to catch The Transients live if you get chance.


You can keep up to date with all The Transients latest news on their official Facebook page. Here's a video of their original track "The Hatfield Twins"



Thanks to Freddie - top man!

Friday, 17 May 2013

Good Vibrations: Terri Hooley and a Tale of Teenage Kicks, Undertones, Outcasts, Music & Mayhem..!

Richard Dormer is sensational as Terri Hooley in Good Vibrations
"Good Vibrations" is the heartwarming and uplifting true story of Belfast music legend Terri Hooley, the man responsible for discovering The Undertones and recording "Teenage Kicks". Terri is a radical, rebel and music lover in 1970's Belfast, when the bloody conflict known as The Troubles shuts down his city. As all his friends take sides and take up arms, Terri opens a record shop on the most bombed half-mile in Europe and calls it Good Vibrations. Through it he discovers a compelling voice of resistance in the city's nascent underground Punk scene. Galvanising the young musicians into action, he becomes the unlikely leader of a motley bunch of kids and punks who join him in his mission to create a new community, an Alternative Ulster, to bring his city back to life.

Feargal Sharkey by Paul Slattery
Richard Dormer puts in a stunning performance as Terri Hooley, expertly portraying the wide-eyed, sorry make that, wide-one-eyed, almost childlike enthusiasm and passion for music in all it's forms, bursting with energy, ideas and scams. As Terri recounts in his excellent biography "Hooleygan", people think he was just into Punk but he was probably Northern Ireland's biggest Reggae fan and was first awakened to the joys of music by Hank Williams "I Saw The Light" at a very young age. It was that power of music to unite and uplift people that moved him to call his record store "Good Vibrations" right slam in the middle of a place where good vibes were a very rare commodity. A radical and politically driven hippy in the Sixties, he was constantly demonstrating and campaigning against whatever injustice he saw in the world at large, "Hey Terri, what are you rebelling against?", "whaddya got?". Although wary of aligning himself to any particular party or movement for long, mainly due to his somewhat maverick approach, he managed to take this neutrality and outsider persona into the dark days of the Troubles. In fact it's the unifying spirit he found in the Northern Irish Punk scene that inspired him as much as the music - Protestants and Catholics braved the curfews to go to gigs together and this created a camaraderie, united against the religious bigotry, paramilitary violence  and the brutality of the R.U.C. All this played out on Belfast's war-torn, dangerous streets, something that the Punks in London, safe in the boutiques of Chelsea's Kings Road, could not even comprehend.

Protex outside the Harp Bar in Belfast - Photo by Paul Slattery
Intrigued by punters coming into his shop asking for records with strange and violent names, he is persuaded to go and see the band RUDI. Terri enters the venue and finds himself amongst the crowd of Punks and he slowly lets himself go, lost in the euphoria he ends up joining in the pogoing. I'm not sure a film such as "Good Vibrations" would ever get anywhere near the Oscars, but Dormer certainly deserves one for this scene alone. Terri is so inspired by this Rock & Roll epiphany that at the end of RUDI's set he rushes over and offers to sign them up on the spot despite not having a label at all. It's this naive enthusiasm and total disregard for money, contracts and business acumen that makes Terri such a likeable and inspirational character. He then, rather reluctantly at first, signs up The Undertones from Derry, but as soon as he hears "Teenage Kicks" he releases it on Good Vibrations Records, convinced it will be a massive hit. The scenes where Terri desperately shops the single around London are magnificent, faced with the utter cynicism and disregard of record company moguls (in his book, he admits even Rough Trade turned him down), he is distraught. Only John Peel is impressed, and historically played the song twice in a row on his influential late night radio show much to the delight of Terri and his friends back in Belfast. 

The Undertones - Photo by Paul Slattery
It all goes a bit wrong for Terri from there, he famously signed away the rights for "Teenage Kicks" to Sire Records for the price of a new van and his failure to get RUDI's single released in time for a high profile TV appearance sees the band lose patience with his haphazard business planning. He has to close the doors of Good Vibrations due to mounting debts and then loses money on one of the biggest Punk gigs in Belfast due to the longest Guest List ever known. But the irrepressible Terri, with a gleam in his one good eye, will not be beaten and you are left with a feeling that another scam is just around the corner. The movie shines a light on some excellent and totally underrated bands such as RUDI and Terri's loyal helpers and friends The Outcasts, who he refused to manage as they had a particularly violent fan and a dangerous reputation. Of course The Undertones might get the attention, as they were the only Good Vibrations band to break through, but check out the brilliant Power Pop band Protex, or Ruefrex or The Moondogs...there's so much great, uplifting music to have emerged from such a troubled period, thanks mainly due to Terri Hooley.

Protex with Good Vibrations' iconic Elvis - Photo by Paul Slattery
Terri is still involved in music, he now has a new Good Vibrations store at 89-93 North Street, Belfast and he helped to set up the Oh Yeah Music Centre, a charity dedicated to helping local musicians, so he remains a truly inspirational figure for all those passionate about making things happen. His story can be followed in the fantastic book "Hooleygan", in which, written together with Richard Sullivan, Terri weaves his autobiographical musings alongside stories and tributes from other characters such as RUDI guitarist Brian Young, Greg Cowan from The Outcasts, journalist and broadcaster Stuart Bailie and Gary Lightbody. Good Vibrations was nominated for three Irish Film and Television Awards, and is the second film from "Cherrybomb" directing duo Lisa Barros D'Sa and Glenn Leyburn and is scored by David Holmes with a screenplay by Colin Carberry and Glenn Patterson. The movie was released via The Works.



With sincere thanks to both Lucy Fleet at The Works Film Group for the film stills, and to photographer Paul Slattery for the superb, and truly evocative, black and white photos.

Check out Punkerama Records another Belfast based label that specialises in great vinyl picture disc releases from bands such as The Defects and Charlie Harper of the U.K. Subs' Harbour Rats project.

Thursday, 16 May 2013

Krister Henriksson as Doktor Glas at Wyndham's Theatre


It was such a treat to get the rare opportunity to see Krister Henriksson, one of my favourite actors, appear on the London stage recently, performing in the one-man play Doktor Glas at Wyndham's Theatre on Charing Cross Road. Henriksson is the star of the Swedish crime TV drama "Wallander" and more recently the movie "Kiss Me" with Ruth Vega Fernandez, the wonderful actress from "Upp Till Kamp". When I mentioned to people I had seen the play, the general response was "oh, I bet that was depressing then..." and I suppose the subject matter of Doktor Glas - rape, revenge, jealousy, religious and moral corruption - doesn't do much to dispel the dark and brooding image that now immediately springs to mind following the success of Nordic-Noir crime dramas such as "Wallander", "The Bridge" and "The Killing". However, Doktor Glas is no contemporary crime story but is adapted from a 1905 novel by Hjalmar Söderberg, which at the time of publication caused outrage. 

Henriksson puts in a quite remarkable performance as the Doctor which is not a million miles from his portrayal of Kurt Wallander, the slightly shabby and unhappy loner in his scuffed shoes and ill fitting suit, struggling to find companionship in middle age. An unassuming man who has a "pleasant way of keeping quiet", beaten down by the unfairness of life in general, where everyone else always seems to be having a good time except him. We learn that Doktor Glas is infatuated by one of his patients, the beautiful Helga, who unfortunately happens to be married to the loathsome and arrogant Pastor Gregorius, who's rasping cough and frog-like demeanour Glas mocks incessantly - behind the Pastor's back of course. It's these merciless impersonations that provides much of the comic relief in the play and certainly highlights Henriksson's consummate skill as an actor as he flits between the characters  with ease. The Doctor's hatred of Gregorius and his own self-loathing increase as he struggles with that age old challenge to the male ego..."what is a beautiful girl doing with such a repulsive man when she could have me?". Then one day Helga appears at the surgery and, probably well aware of the Doctor's infatuation, uses her charms to suggest a rather unorthodox plan. Fed up with her disgusting husband's demands for his "marital rights", she asks Glas to fabricate an illness of the womb to put off the unwanted advances.

Photo by Steve Worrall
Thinking that this might be a way to ingratiate himself into Helga's affections, Glas agrees and summons the Pastor into his surgery to explain the situation. Gregorius is furious but reluctantly promises to keep to the Doctor's advice. The promise isn't kept for long, a couple of days later Helga visits the Doctor to explain that the plan to keep her husband at bay had not worked as he had raped her. She also confides that another reason she no longer wants to have sexual relations with her husband is that she is in fact secretly having an affair. Doctor Glas realises that he knows her boyfriend, the handsome Klas Recke, and is driven into fits of jealousy. Klas Recke, the man who's looks he admired and wished he resembled - Klas Recke, Henriksson wrings every syllable out of the last name, seething with jealously, it sounds like the English word "wrecker" which is apt, considering Klas is the man who, in the Doctor's mind, stands in his way, wrecking his dreams of a romance with Helga. Then his thoughts turn to the Pastor Gregorius and the rape, the disgust and hatred toward this so-called religious man swells and he summons him to the surgery again. He takes great pleasure in telling Gregorius about an exaggerated heart condition, making the Priest squirm and suffer before announcing his diagnosis and instructing that a long trip to a Spa is in order.

Photo by Steve Worrall
That night Glas has a vivid dream where he exacts terrible, and surgical, revenge on the Priest, and Henriksson perfectly captures that fleeting moment when you wake up and think that the dream had really happened. Glas then goes from plotting and fantasising about murdering the Priest to struggling with his guilt, and he is tormented by thoughts of love, death and morality. Would you kill to take revenge on behalf of someone you love, or is it just a murder borne out of jealousy? What about the Hippocratic Oath? Should he take his own worthless life? Henriksson is a remarkable actor, I thought that anyone trying to perform alone would be full of grand, over exaggerated gestures to hold the attention of the audience, but not so, the subtlety in his performance was so impressive. The play ends with the Doctor finally administering a lethal pill, under the guise of medicine, to Pastor Gregorius and the curtains draw to a close to the strains of Lou Reed's "Perfect Day" - a deliciously ironic, if somewhat incongruous choice of song. The audience reaction was warm and polite rather than rapturous, I  rose to my feet to join in what I was sure would be a standing ovation. There wasn't one. I turned slightly and realised I was in fact the only one standing! Considering I was right at the front row centre of the balcony, I felt a slight twinge of embarrassment at first, but then again, why should I? I'm not a theatre-goer so I'm not sure of the protocol. Maybe it was because it was a matinee performance, maybe it's not the "done" thing, but all I know is that Krister Henriksson certainly deserved nothing less than a thunderous reception, a standing ovation and repeated curtain calls to acclaim a quite stunning performance.

Krister Henriksson takes the applause - Photo by Steve Worrall
So, you may be thinking "...what's a theatre review doing on the Blog?" Well, here's the thing, there is a link, an albeit somewhat tenuous link admittedly, to Krister Henriksson and my favourite Swedish band, The Soundtrack of Our Lives. So as a bit of fun, here we go...six degrees of separation...

1. Krister Henriksson starred in a 2009 TV movie of Doktor Glas directed by Mikael Marcimain.
2. Mikael also directed Krister in two Episodes of Wallander Series 2, "The Ghost" and "The Heritage".
3. Ruth Vega Fernandez featured in "The Heritage" and also starred in the movie "Kiss Me" along with Krister.
4. Sverrir Gudnason featured throughout Wallander Series 2 as new police recruit Pontus and both he, and Ruth, went on to star in the Marcimain directed TV Series "Upp Till Kamp".
5. "Upp Till Kamp" also featured Ludwig Dahlberg, Kim Fransson and Mattias Bärjed from the band Free Fall, who had a song played in an episode of Wallander. Mattias also wrote the soundtrack music to "Upp Till Kamp" and Marcimain's latest movie "Call Girl".
6. Mattias was the guitarist with The Soundtrack of Our Lives.

So, there you go...how to link your favourite actor to your favourite band in six steps! 

The beautiful Wyndham's Theatre - Photo by Steve Worrall
Krister Henriksson on stage at Wyndham's - Photo by Steve Worrall
Krister Henriksson has an official Facebook page brilliantly organised by Karen Gillett, so please join the group here for all the updates, including news on the brand new series of Wallander.


Tuesday, 14 May 2013

Crash 74: Glam Garage Beat from founder members of Sparks & Revillos: Live at the 12 Bar Club London May 31st

One of the founder members of Sparks, Harley Feinstein and ex-Revillos drummer Nicky "Rocky Rhythm" Forbes, have got a Glam Garage Beat band together called Crash 74, for what appears to be couple of London shows including an appearance at London's premier sleazy Rock'n'Roll venue, the 12 Bar Club, on Friday May 31st. I'm not sure exactly how permanent this line-up, or indeed the band itself will be, so don't miss the opportunity to go along and see some real Rock pedigree in action!

We hope to be meeting up with Nicky soon for a Retrosonic Podcast special edition where he will be discussing his superb, no holds barred music memoir, "The Rhythm Method" (Sex, Drums and Rock'n'Roll), which is available from Amazon or from the Revillos site. We will also touch on some of the Bands and Artists that Nicky has been involved with, such as Dave Vanian's Phantom Chords, The Revillos, The Pork Dukes, Joe Strummer, Glen Matlock and Tenpole Tudor.


Beatnik Record Store & Cafe, Altrincham, Greater Manchester

It's always encouraging when a new independent record store opens and yet I must admit to feeling a twinge of jealously. I've often thought I'd like to have my own Record Store/Cafe/Live Venue, but a complete lack of any finances, no retail experience, no catering knowledge and a terrifying lack of any business sense whatsoever, means it's probably best for me to stick to the day job and sit back and appreciate the efforts of other braver more adventurous souls! So  I'm very pleased to give a mention to Beatnik, a brand new Record Store and Cafe in Altrincham.

Beatnik is a new, independent record shop selling Vinyl, CDs, music merchandise, art and books combined with a Café offering locally sourced pies, cakes and proper Coffee. The shop opened on 20th April to coincide with Record Store Day and was an instant hit with the local community and music fans from far and wide. The opening also caught the attention of Jo Whiley on Radio 2, Mark Radcliffe and Lauren Laverne on BBC 6 Music and local and national press, including The Guardian who featured the shop on their Record Store Day report. It was standing room only in the shop, as customers enjoyed live music from local troubadour Patrick Green and cult legend MJ Hibbert, and Mike Joyce from The Smiths arrived to wish the tired and emotional staff well just before closing time!

What’s NewThe shop specialises in stocking a carefully curated range of both new and second hand music on Vinyl, CD and even a few cassettes! Beatnik will also be showcasing work by local artists and performers. They have featured events such as an intimate afternoon show with local songwriter Lizzie Green and a talk by music journalist Paul Du Noyer (NME, Mojo, Q and The Word). Music Shops may be vanishing from the high street, and indeed Altrincham has lacked a Record Shop for many years, but at the same time Vinyl is resurgent, physical formats are still sought after by fans, and the future lies with independent shops like Beatnik with a real passion and a desire to promote music culture.

Beatnik aims to combine all the best things about Record Shops, add a whole lot more and provide an exciting destination where visitors can discover new music releases, unearth unknown gems and experience something that can't be found on-line. There is a listening post, and for those who want to get back to Vinyl, a range of vintage record players on sale. Customers can also enjoy a delicious range of food and drink which is as carefully chosen as the music, mostly sourced from local suppliers. This includes highly rated pies by the Great Northern Pie Company of Bramhall, Lush Brownies of Manchester and Cakes by Mrs B's of Winsford. Customers are also welcome to use free, WiFi.

EventsBeatnik is located at 38 Greenwood Street, Altrincham, Greater Manchester, Cheshire WA14 1RZ. Greenwood Street is the heart of the Market Quarter, and the shop is conveniently located next to one of the finest Belgian Bars in England.

Opening Hours:
10am to 4pm Tuesday to Thursday
10am to 5pm Friday and Saturday
11am-4pm Sunday.

Details of forthcoming events and all other shop news will be updated regularly on the Beatnik website, Twitter and Facebook page. To find out more about Beatnik, enquire about participating in events, selling your music, merch, artworks, fanzines, books and anything else you want, please email Carl, Grant and Tim or give them a call on 0161 941 411.

Anyway, I'd like to personally wish Beatnik all the very best, it's great that there are people still passionate enough about music to start a brand new business like this. I'd encourage you to pop in if you are in the area and give them as much support as possible. If you know of any independent record store near you  then please contact us at Retro Man Blog and we'd be happy to give them a mention too.  

Monday, 13 May 2013

The Monochrome Set: Live at Bush Hall, London April 27th

Bid & Lester Square of The Monochrome Set - Photo Steve Worrall
The Monochrome Set played a wonderful gig in the rather ornate Bush Hall, it was a perfectly balanced set-list with a choice selection of old favourites and tracks from their latest, and rather excellent, album "Platinum Coils". The first support act were the splendid Indie-Pop band, Would-Be-Goods, who happened to feature Monochrome Set bassist Andy Warren putting in an impressive double shift, and guitarist Peter Momtchiloff moonlighting from the rather more raucous Hot Hooves, who recently featured on the Blog here. Next up was Stuart Moxham, once of Young Marble Giants, who unfortunately failed to hold the attention and a large part of the crowd seemed to drift off to the bar. Maybe it was because I'm not familiar with any of Stuart's recent material and maybe it was the somewhat weak sound, along with having to follow the more compatible Would-Be-Goods, that didn't do him any favours. It also all went on just a bit too long and there were murmurings of impatience around me.

Andy Warren & Helena Johansson - by Steve Worrall
Suddenly it was over and after a short pause, a character dressed as "Where's Wally" appeared on the stage and took their place behind the drums. The familiar tribal beat of "The Monochrome Set (I Presume)" kicked in and the band appeared all dressed in black. All apart from Lester that is, who sported a rather fetching Black and White stripey suit and he struck up the buzzing guitar intro to the perfect set opener. This was followed by another track from "Strange Boutique", their superb debut album, the saucy tongue twister "The Lighter Side of Dating". "Jet Set Junta" and a brilliant run through of the classic spiky Post-Punk single "Alphaville", keep the die-hard fans happy and then it's into three songs from latest album "Platinum Coils". This album, in my view is probably their strongest and most complete album since "Eligible Bachelors", and in particular "Hip Kitten Spinning Chrome" can easily hold its own amongst their "classic" material". Tonight this comes over brilliantly and "Cauchemar" and "Streams" follow seamlessly.

Lester & Bid of The Monochrome Set - Photo by Steve Worrall
I was pleasantly surprised that they played "Walking With The Beast" from one of my favourite albums "Dante's Casino", driven by a rollicking Samba beat, it was one of my highlights of the night. Next we have a triple hit from the faultless "Eligible Bachelors" album - "Fun For All The Family", "I'll Scry Instead" and "The Ruling Class". Then we are brought bang up to date with two more tracks from "Platinum Coils", firstly "I'm Happy To Be Here" and the brilliant "Waiting For Alberto" which has had me singing "I hope it's not bananas..."  to myself, and probably a few passing strangers, all week. Some non-album tracks follow; "Wallflower", "Cowboy Country", the 'big hit' "Jacob's Ladder" and then the grinding brilliance of "Eine Symphonie des Grauens" closes the show.

Photo by Steve Worrall
Due to the time restraints Bid said, "we've come to the end of the set and as we don't have much time, just pretend we've gone off stage and come back on again...", before heading straight into the songs marked for an encore. We were treated to a beautiful rendition of "Goodbye Joe" and then a thundering romp through "He's Frank" before the band had to finish rather abruptly. Abrupt was the word of the day as we couldn't even get a beer in the bar afterwards as it shut bang on 11 and we were then, rather unceremoniously herded out by security - Saturday night, London, Rock 'n' Roll...!

Despite my slight misgivings about the Bush Hall, I felt that this was one of best shows I have seen from The Monochrome Set in recent years, the band were tight and the set list was a fan's dream, well probably all except for one fan, who's persistent calls for "Fat Fun" went unanswered. But with such a huge back catalogue packed full of so many delights, you're not going to please everyone all of the time, although I am sure tonight the band came pretty damn close. The band will play in Madrid on May 18th before heading off to America for some dates. They will return to the U.K. for a show at London Cargo on July 13th with more dates to follow later in the year. Please check out  the band's web-site for more details on the shows.

Would-Be-Goods - Photo by Steve Worrall
A cheeky Bid - Photo by Steve Worrall
Steve Brummell - Photo by Steve Worrall
For more photographs of both The Monochrome Set and Would-Be-Goods, head on over to the Retro Man Blog Facebook page and hit "Like"  for access to the photo album. We played a track from The Monochrome Set's latest album "Platinum Coils" back in Episode 3 of Retrosonic Podcast.



Friday, 10 May 2013

The Damaged Goods Records Story Part 1: A Retrosonic Podcast Special

Steve from Retro Man Blog and Rock Photographer Paul Slattery talk to Ian Ballard, boss of the legendary Punk and Garage Rock label Damaged Goods Records. In this first episode we play and discuss some of the label's pivotal early releases and discover how Ian started off in the big bad world of the music business. Along the way Ian and Paul chat about their early experiences with the Manic Street Preachers and Billy Childish, and we hear the stories and background behind a choice selection of other Damaged Goods releases and some of the characters involved. These include Graham Day, Helen Love meeting Joey Ramone, The Snivelling Shits, Thee Headcoats versus the NME, Thee Headcoatees in Japan and Holly Golightly and The White Stripes. You can also hear an exclusive track from the brand new album by Thee Spivs, "The Crowds and The Sounds", due to be released on Damaged Goods on June 24th.

Part 2 of The Damaged Goods Story is coming soon so please keep a check on our Soundcloud page, or here on the Blog, for more news on the release date. The next Episode will bring the story up to date and features some great music from the likes of Buzzcocks, Pete Molinari, Billy Childish and The Singing Loins, Fabienne Delsol, The Wolfmen, The Briefs, Cyanide Pills, The pUKES and another fantastic exclusive track from Thee Spivs brand new album...!

Ian from Damaged Goods and Billy Childish - Photo by Paul Slattery
With many thanks to Ian and Paul. For more info on Damaged Goods Records and their superb roster of artists please check out their official web-site. To keep up to date with Thee Spivs news, they have their own web-site and Blog here.

Please visit the Retrosonic Podcast Soundcloud site to listen or download the Damaged Goods Special Podcast and check out all our other Episodes.



Retro Man Blog is pleased to announce that, in conjunction with Damaged Goods, we will be hosting Thee Spivs new album Launch Party at The Half Moon Putney on June 29th. Copies of the new album will be available for sale on the night. Tickets are just £8.00 in advance from The Half Moon, click here to buy - be sure to book early to guarantee entrance as this is shaping up to be a great night. Support comes from The Fallen Leaves, who feature original Subway Sect guitarist Rob Symmons, and the line-up is completed by local garage rock heroes, The Past Tense.


Thanks to Adam Donovan of The Jetsonics for the gig poster.